Ginger studied fine art and photography in Nashville and art history in Boston. She's a specialist in art since 1950, particularly the interface of art with science and technology in the contemporary period. Her published work has focused on the ways in which Southern California artists applied technology and industrial materials to their art practice and the phenomenal (and oftentimes post-studio) works that they produced. Her dissertation, Technology and Artistic Practice in 1960s and 1970s Southern California (PhD diss., Boston University, 2015), analyzes a loosely-affiliated group of artists on the West Coast who responded to, and often directly incorporated, science and technology into their studio and post-studio practices. Ginger's broadly interested in hybridized elements of life and the areas where disciplines overlap, creating images in both digital and analog photography using her sizable collection of cameras.

 

Ginger also serves her community as a yoga teacher and studies the potential of human energetics. Her daily home practice blends pranayama (breath work), meditation, asana (poses), and energy work; her yoga classes reflect this breadth. In class, her “all levels” approach is always to meet each student where they are by providing several options for asana modification. Her classes focus on present-moment awareness and the benefits of extending our yoga practice into our daily lives.

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